Download e-book for kindle: American Popular Music (2008) by Larry Starr, Christopher Waterman

By Larry Starr, Christopher Waterman

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But jazz continued to influence other forms of American music, even as it branched out in new directions. Bee-bop, acid, fusion, and other styles appealed to smaller and more specialized — but equally enthusiastic — audiences. The photographs here portray a number of postswing jazz giants, artists of unsurpassed creativity, sophistication, and talent. 44 Grammy-Award winning jazz singer Cassandra Wilson at the Avo Session in Basel, Switzerland, in 2006. 45 Pulitzer Prize winner Wynton Marsalis, a contemporary champion of “traditional” jazz.

In some ways, the range of country music styles during the postwar era resembles contemporaneous developments in rhythm & blues. There were country crooners, who specialized in a smooth, pop-oriented style; bluegrass musicians, who focused on the adaptation of traditional southern music in a package suitable to the times; and honkytonk musicians, who performed in a hard-edged, electronically amplified style, and wrote songs about the trials and tribulations of migrants to the city and about gender roles and male/female relationships during a period of intense social change.

By 1927 a total of some 500 race records were being issued every year. Throughout the 1920s African Americans bought as many as 10 million blues and gospel recordings a year, almost one per person, an astonishingly high figure when compared with the mainstream record market, especially considering that many black people lived in poverty. Many young people in these communities thus grew up with the sound of a phonograph as part of their everyday experience. Migrants from rural communities who had relocated to urban centers returned periodically, bringing with them the latest hit records and creating a continual flow of musical styles and tastes between city and country.

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American Popular Music (2008) by Larry Starr, Christopher Waterman


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